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SKU ARTU-MATRIXBRUTE

Arturia MatrixBrute Analog Monophonic Synthesizer

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Manufacturer's Description

Power beyond the matrix

The heart of the MatrixBrute is its unique modulation matrix that allows you to create your own routings. You can invent a sound palette of your own that will be sure to be heard in any mix !

The matrix can also be used to recall your presets. So go on stage, and select any of the 256 presets instantly! No menus or awkward selection screens, everything is at your fingertips.

As if it was not enough, the matrix is also made to program and play sequences. This is no ordinary step-sequencer. With its ability to also be used as a modulation source, sounds evolve in melody and texture, just the way you want.

Sound beyond the power

Offering a audiosignal path that is is 100% analog, MatrixBrute also features true analog effects. The MatrixBrute gives you the sonic quality and power of a vast modular synthesizer but with the flexibility of presets along with a great arpeggiator and an advanced sequencer.

MatrixBrute is a truly empowering instrument!! It offers tons of connections so you can work in any set-up. It brings a quality keybed and a solid chassis.

No endless menus or screens to navigate or multi-function buttons to remember. Forget about connectivity issues. This is you in control. This is you inventing sounds. This is analog avant- garde.

Hands-On Heaven

Forget about tiny LCD screens, being lost in menus and sub-menus, and trying to remember double functions and complex procedures. MatrixBrute brings back the fun and the immediate hands-on experience of synthesis.

When you want things to shake, grab the Sub Osc slider and bring it on. When you want it to sizzle, grab the filter knob and open it up. And when it’s time to unleash the beast, grab the Brute Factor™ knob and turn it loose! It’s that easy.

Features

  • Analog Matrix Synthesizer
  • 256 Preset memory locations
  • 2 Analog Exponential VCO’s:
    • Saw + UltraSaw, Square +Pulse width, Triangle + Metalizer, Sub
  • 1 Analog Linear VCO/LFOVCO 2>1 Hard Sync
    • Saw, Square, Triangle, Sine waveforms; LFO time divisions; Key track
  • Audio Mod:
    • VCO1>2 ; VCO1 < VCO3> VCO2 ; VCF 1 < VCO3> VCF 2 ; VCF1 < Noise> VCF2
  • Noise Generator:5 input Audio Mixer with Filter routing
    • White ; Pink ; Red ; Blue noise types
  • Steiner Parker filter with 12+24 db per octave modes ; Drive ; Brute factor; Low Pass, High Pass, Band Pass, Notch
  • Ladder filter with 12+24 db per octave modes ; Drive ; Brute factor; Low Pass, High Pass, Band Pass
  • 2 LFO’s
    • Sine, Tri, Square, Ramp, Saw, Random, S&H
  • 3 Envelope GeneratorsExternal Audio In
    • 2 Attack, Decay, Sustain, Release
    • 1 Delay, Attack, Decay, Sustain, Release
  • 16x16 Matrix modulation panel
  • 64 step sequencer
    • STEP enable, Slide, Accent, Modulation
    • Save and recall sequence patterns on the fly
  • Analog EffectsArpeggiator
    • Stereo delay, Delay, Flanger, Chorus, Analog Reverberator
  • 12 CV / Gate Inputs/Outputs
  • Audio Input, Line or Instrument level
  • Stereo audio output
  • MIDI and USB I/O
  • Pedal inputs for Expression and Sustain