On Sale Now! - Catalinbread
-
-
-
-
Captures the regal and soaring tones of a Rangemaster Treble-Booster into a cranked up Vox AC30 - “Queen in a box”
THE STORY
Brian May’s sonic signature not only comes from his home built “Red Special” guitar, but also from a treble-booster pummeling banks of AC30s. He never turns the treble booster off, accessi
-
Authentic studio through-zero flanging the way it was originally done - The next best thing to having two tape machines and a thumb.
THE STORY
It’s uncertain what exactly the origin of flanging was. It could have been the result of trying to push the boundaries of multitrack recording, probably due to running a couple tape machines in
-
Era-defining plate reverb with studio-style controls - 479.99% smaller than the leading plate reverb.
THE STORY
Listen to any recording from the 70’s and you’ll most likely hear the sound of a plate reverb, a giant mechanical contraption roughly the size of a king size bed. It was ubiquitous in the studio, and was the only reverb
-
Transform any guitar rig into a rig of doom with the Sabbra Cadabra
THE STORY
Tony Iommi arguably had the most influential tone in the history of electric guitar. Really, when you think Black Sabbath you immediately think “Electric Guitar”. His early signature sound was the result of an always on treble-booster plugged into cranked La
-
Player's Perspective
Catalinbread's Topanga is much more than your average reverb pedal. Unlike plenty of the reverb designs on the market, the Topanga really has its own tonal identity. It's great reverb, but it's also great tone. Based on the legendary Fender 6G15 outboard spring reverb unit, the Topanga recreates not only the sound of vinta
-
Other-worldly tone-generating fuzz tremolo that truly defies classification - Travel to alternate universes, twisting what used to be your guitar’s volume knob.
THE STORY
“Antichthon” refers to the ancient Greek idea that there was a “Counter-Earth”, 180 degrees opposite of Earth, but unseeable since it was alwa
-
A skippy, glitchy CD delay? You heard that right-t-t.
THE STORY
Digital is the CSIDMAN’s aesthetic: as a delay pedal, it strives to reproduce echoes as true to the input as possible without filtering. When you utilize its scratched disc, stuttery, and glitchy behaviors, it is pseudo-random, yet gives you a certain amount of “control&r
1
