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Effects - Keeley - Wren and Cuff - Neo Instruments

Effects - Keeley - Wren and Cuff - Neo Instruments

In business since 2006 building handmade guitar and bass effects, musician, electronic freak and major gear head, Matthew Holl started Wren and Cuff as a part time hobby. As word spread, his business grew and a one man obsession evolved into a full time job.

Wren and Cuff’s reputation for high quality effects with exceptional tone, that could truly take a beating, further solidified the small company as stand outs in a sea of boutique competitors.

It didn’t hurt that the pedals were great looking, free of redundant bells and whistles, and that Wren and Cuff’s reputation for exceptional service with focused attention to customer inquiries, questions and feedback, was unsurpassed.

In 2007, Matthew made Wren and Cuff his full time job, moved operations and hired employees to keep up with the growing demand. It wasn’t long until professionals from multiple genres welcomed Wren and Cuff pedals as part of their live and studio arsenals. Some of these notables include; J Mascis of Dinosaur Jr, Brian Ray of the Paul McCartney band, Troy Sanders of Mastodon, and many others.

Wren and Cuff continues to grow. Proud to create new, exciting, quality effects that keep pedal junkies mouth’s watering and those in need of straight forward, versatile effects, extremely satisfied.

When not running Wren and Cuff, Matt can be found making music, doing jiu-jitsu, and spending time with his wife, two children, and two dogs.

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  1. Keeley 30ms Automatic Double Tracker Guitar Effects Pedal

    Description Improve Your Tone with the Keeley 30ms Automatic Double Tracker The stereo effect pedal offers an array of studio style doubling effects used for creating thicker, fuller sounding instruments. Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two. The Keeley 30ms is designed to work with guitar,
  2. Keeley Mini Katana Clean Boost Guitar Effect Pedal

    Description Clean and super powerful Keeley’s oldest design made smaller and with an additional feature. The Katana started back in 2002 within the Time Machine Boost. It was a dual class A JFET design that gave players and incredible boost and sounded so good they never turned off. In fact they often ran two or three on stages like John Ma
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