Effects - Keeley - Foxpedal - Neo Instruments
Foxpedal began building hand-made effects in 2013 with a mission to create products for musicians who thrive on art and beauty. With every release, they aim to create a product that inspires you to respond creatively in new ways as a musician.
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Keeley Red Dirt FET Overdrive Guitar Effect Pedal
Description The Red Dirt overdrive began from a quest to find the perfect classic drive sound while also offering new levels of sonic versatility to satisfy a wider range of musical styles. Founder and head engineer Robert Keeley took this idea and combined the great sounds found within his original “Mod Plus” and “Baked” m
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Keeley Bassist Compressor and Limiting Amplifier Guitar Effects Pedal
Description Bass Compression - The Keeley Bassist Compressor provides true high-fidelity compression and limiting. Be heard and felt using performance compression by Keeley Engineering. The Bassist Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as very affordable studio-grade compress
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Keeley Tone Workstation Overdrive Guitar Effects Pedal
Description The 2016 Keeley Tone Workstation - Ten years ago we invented and built a small batch of the Tone Workstation, which then moved into the hands of famous players and collectors. John Mayer recently took two of the originals out on the Dead & Company tour. For 2016 it’s more than a re-release; it’s a completely new, r
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Keeley Compressor Pro Professional Studio Guitar Effect Pedal
Description Keeley Compressor Pro. The stomp-box sized compressor/limiter is made in Oklahoma, USA and engineered to be an indispensable tool for your musical endeavors. It is in no way limited to be used with only guitar. It has been designed to work as a studio compressor accepting any range of inputs and a frequency response and noise level mat
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Keeley Mini Katana Clean Boost Guitar Effect Pedal
Description Clean and super powerful Keeley’s oldest design made smaller and with an additional feature. The Katana started back in 2002 within the Time Machine Boost. It was a dual class A JFET design that gave players and incredible boost and sounded so good they never turned off. In fact they often ran two or three on stages like John Ma
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