Effects - Ibanez - Keeley - Neo Instruments

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Player's Perspective
The TS9B is equipped with controls that allow bassists to produce the sound they want while still maintaining the feel of the original Tube Screamer. Experimenting with the mix and tone controls allows for creation of a limitless number of sounds. Players can go from just "a little bit of hair" to "full-on" vintage fuzz an
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Specs
Tone, Sustain and Level controls
True Bypass
Power Supply: External DC 9 Volt AC Adapter
Our in house guitar tech has inspected, tested, and cleaned all of our instruments on site prior to shipping. All of our instruments are guaranteed to be fully functional upon arrival.
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Description
The Red Dirt overdrive began from a quest to find the perfect classic drive sound while also offering new levels of sonic versatility to satisfy a wider range of musical styles. Founder and head engineer Robert Keeley took this idea and combined the great sounds found within his original “Mod Plus” and “Baked” m
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Description
Bass Compression - The Keeley Bassist Compressor provides true high-fidelity compression and limiting. Be heard and felt using performance compression by Keeley Engineering.
The Bassist Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as very affordable studio-grade compress
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Description
The 2016 Keeley Tone Workstation - Ten years ago we invented and built a small batch of the Tone Workstation, which then moved into the hands of famous players and collectors. John Mayer recently took two of the originals out on the Dead & Company tour. For 2016 it’s more than a re-release; it’s a completely new, r
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Description
Improve Your Tone with the Keeley 30ms Automatic Double Tracker
The stereo effect pedal offers an array of studio style doubling effects used for creating thicker, fuller sounding instruments. Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two. The Keeley 30ms is designed to work with guitar,
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Description
Clean and super powerful
Keeley’s oldest design made smaller and with an additional feature. The Katana started back in 2002 within the Time Machine Boost. It was a dual class A JFET design that gave players and incredible boost and sounded so good they never turned off. In fact they often ran two or three on stages like John Ma
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