At this time, Music Store Live remains committed to the needs of our music community. We will continue fulfilling online orders to the best of our ability and all domestic orders will continue to ship free.
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Effects - Gator - Tech 21 - Keeley - Diezel - Neo Instruments - Dr. Blankenstein

Effects - Gator - Tech 21 - Keeley - Diezel - Neo Instruments - Dr. Blankenstein

Gator Cases was founded in 2000 by father-daughter team Jerry Freed and Crystal Morris in Tampa, Florida. Initially, they launched with a small offering of molded plastic guitar cases at the Summer NAMM show in Nashville, Tennessee. From there, they expanded the product line to include case and bag solutions for pro audio, IT, audio visual, general utility, band instrument, and percussion. The line now consists of over 1000 different solutions that are made from vacuum-formed plastics, rotational-molded plastics, wood, sewn, and EVA materials.


B. Andrew Barta launched Tech 21 in midtown Manhattan and introduced his unique invention to the world -- the SansAmp. It was, in fact, the culmination of something he simply wanted for his own personal use. As a performing musician with an electronics background, and whose “day job” was repairing, modifying and customizing amplifiers, Andrew had the expertise -- and determination -- to make his vision a reality.
Ironically, Andrew never intended on becoming a manufacturer. He initially tried selling his technology to some of the major manufacturers. But they weren’t able to foresee the potential and how much impact the SansAmp would eventually have. (Not so secretly, we are delighted no one bought the idea!)
Unable to abandon his idea, Andrew had to set out on his own. Although this kind of product had never before existed, it took a surprisingly short amount of time to gain acceptance from players. All they had to do was hear it.

Tech 21 pioneered the direct recording movement and created an entirely new category of signal processing. The revolutionary SansAmp tube amplifier emulator was the first device to enable musicians to dial in monster tones and patch them directly to a studio mixer or stage PA. Finally, it was possible to get stunning, consistent tones without futzing for hours and hours to find that elusive ‘sweet spot.’ Instead, the 100% analog SansAmp delivered all of its mammoth sounds from a pocket-sized pedal.

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