Presonus AudioBox 1818VSL Advanced 18x18 USB 2.0 Recording Interface with MXL Microphone Set and XLR Cables

MXL 550/551 Condenser Ensemble Microphone Kit Red

 Manufacturer's Description

Presonus AudioBox 1818VSL Advanced 18x18 USB 2.0 Recording Interface

Presonus AudioBox 1818VSL Advanced 18x18 USB 2.0 Recording Interface

The flagship in PreSonus’ new generation of USB 2.0 audio/MIDI interfaces, the AudioBox 1818VSL takes hardware/software integration to the next level and delivers a combination of features, audio quality, and value that is unprecedented in this product category.

Using your computer CPU and PreSonus Virtual StudioLive™ (VSL) software, AudioBox VSL-series interfaces provide reverb and delay effects and the same Fat Channel compression, limiting, semi-parametric EQ, and high-pass filter, as the PreSonus StudioLive™ 16.0.2 digital mixer— all with inaudible latency.

It’s a great choice for project studios, performing bands, school music labs, and a wide variety of corporate installations and other contractor applications.

This is a pro product all the way, with high-end 24-bit, 96 kHz converters; Class A XMAX™ preamps; ADAT optical I/O; S/PDIF coaxial I/O; word-clock output; and MIDI I/O, housed in a heavy-duty, rack-mount metal chassis.

Furthermore, thanks to the power of VSL, the AudioBox 1818VSL includes a 26x8 software mixer. As a result, with just an AudioBox 1818VSL and your laptop or other computer, you can mix a studio session or live show featuring a full band—all while monitoring and recording with or without real-time effects!

And you can do it simply and easily, with no hardware mixer, no outboard effects rack, and minimal wiring, thanks to the tight integration between PreSonus hardware and software.

What’s so great about effects and processing on monitors?

Tracking without hearing effects and signal processing is like playing a video game with your eyes closed. Musicians rely on aural cues when performing, and their performance can vary depending on what they hear in their monitors.

Adding just the right amount of compression, EQ, and reverb can make a huge difference in their ability to hear themselves clearly and to experience their performance as if it occurred in a natural space rather than in the artificial sonic environment of the studio. The result is a better performance and ultimately a better recording.

Overcoming the Latency Problem

You have plenty of effects plug-ins for your DAW, but processing audio with a DAW takes more time than you might think. True, we’re talking milliseconds, but it’s long enough that if you put DAW effects in your monitors, you’ll either hear the original sound slightly before the processed signal, or play a note on your instrument and have to wait a moment to hear the result of your action. Both of which are very disorienting.

Fortunately, our engineering wizards have dramatically reduced processing delay in the AudioBox VSL series. The result: dynamics processing, EQ, reverb, and effects that feel real, with no audible delay.

Record With or Without Processing

If you like what you hear, you can record with AudioBox VSL-series effects, too! These are the same high-quality StudioLive 16.0.2 Fat Channel dynamics processors and EQs that professional musicians, engineers, and producers record with every day.

The time-based effects are for monitoring only and can’t be recorded. Of course, most people add reverb and delay effects during editing and mixdown, rather than while tracking, in order to ensure that the effects on all tracks work together. 

Great processors are a PreSonus tradition

We didn’t invent the first audio interface with effects. We simply did it better and for less money. Sure, some interface manufacturers that don’t normally make signal processors have added a compressor, EQ and a few effects to their interfaces.

But the AudioBox VSL series provides all that, plus a separate limiter, expander, and high-pass filter—and we’ve been making high-quality signal processors since 1995. The AudioBox VSL-series’ Virtual StudioLive (VSL)-based effects and Fat Channel processing have been extensively field-tested and proven popular by tens of thousands of StudioLive™-series mixer users, including many top professionals.

Of great importance, thanks to VSL’s drag-and-drop convenience, adding processing and creating and loading presets is easy. Pro-level processing and superior ease of use mean you’ll get better results and have more fun!

Computer system requirements:

Below are the minimum computer-system requirements for the AudioBox 1818VSL:

Windows

Windows® XP SP3, Vista x64/x32 SP2, Windows 7 x64/x32 SP1, Windows 8 x64/x32

Intel® Core™ Duo or AMD Athlon™ X2 processor (Intel Core 2 Duo or AMD Athlon X4 or better recommended)

2 GB RAM (4 GB or more recommended)

Mac

Mac® OS X 10.6.8 or later

Intel Core Duo processor (Intel Core 2 Duo or Intel Core i3 or better recommended)

2 GB RAM (4 GB or more recommended)

Windows and Mac Systems

USB 2.0 Port

Internet connection (only for activation)

DVD-ROM drive

Monitor with at least 1024x768 resolution

20 GB hard-disk space

Internal or external 7200 RPM storage drive highly recommended

MXL 550/551 Condenser Ensemble Microphone Kit Red

The 550/551 from MXL is a professional-quality microphone kit ideal for recording vocals and instruments. The 550 large-diaphragm mic is a robust vocal mic, while the 551 small-diaphragm mic is terrific for a variety of instruments.

Each mic has a pressure gradient condenser capsule with a cardioid pickup pattern for terrific off-axis noise rejection. The mics have internal Mogami wiring for a world-class sonic experience. High SPL capability allows the mics to record loud sources without distortion. Each mic has a standard XLR connector and works via 48V phantom power.

• Dual microphone kit provides terrific performance for capturing vocals and instruments

• The 550 large-diaphragm microphone provides a high level of clarity, and is perfect for vocals

• The 551 small-diaphragm mic is ideal for a variety of acoustic and electric instruments

• Each mic has a pressure gradient condenser capsule with a cardioid pickup pattern for excellent off-axis rejection

• Internal Mogami wiring provides a world class sonic experience

• Standard XLR connectors accept 48V phantom power

• Mic stand adapters, cleaning cloth, and plastic carrying case included

Pig Hog PHM10 8mm Microphone XLR Cable 10ft

Pig Hog cables are precisely overbuilt to stand up to the most grueling tour conditions imaginable. They feature extra-thick 8mm wire, performance quality connectors, and tension-resistant stress relief. And with Pig Hog's "no question" lifetime guarantee, we've got your back for the life of the cable. Don't settle for those fat-free cables. Grab hold of a Pig Hog!

Features

• High performance microphone cable

• 8mm high quality rubber outer covering

• Heat shrink protected connectors

• Lifetime guarantee