Mike Lull Custom Guitars
Mike Lull's Pacific Northwest roots run deep. In 1954 he was born 50 miles east of the Pacific Coast in the valley of Eugene, Oregon. Five years later, his family moved north to Bellevue, Washington—a newly incorporated small city just ten miles east of Seattle and its thriving music scene. Mike couldn't have known it then, but this move to the Puget Sound area would eventually shape his life as a musician and luthier in immeasurable ways.
In 1970, when he was sixteen, Mike took his first job repairing guitars for a local guitar shop. There he was able to cultivate his gifts and talents, while building the solid foundation that he needed to become a luthier. Soon, word got around that Mike did exceptional work and he developed a positive reputation among local musicians. As his positive reputation grew, so did his dream of opening his own business.
This dream became a reality when, in 1976, he opened Mike Lull's Guitar Works in his hometown of Bellevue. He was just twenty-one at the time and at the beginning of what would quickly become a successful, lifelong career. Over the next few years his business grew wildly—especially when he started building his own custom basses and guitars. That was when his now-legendary fretwork and fine-tuning started to attract the attention of artists from many musical genres, including jazz, pop, metal, classic rock, blues and country—to name just a few.
Around the same time that his business started taking off, Mike became a working bass player in the Seattle music scene. His experiences as an active musician helped him to further develop his unique understanding of playability and tone, which eventually inspired him to launch the Mike Lull Custom Guitar and Bass lines in 1995. Since the launch of these two lines, Mike's business has continued to grow and he has created and repaired instruments for thousands of artists from around the world, including Randy Jackson, Bob Dylan, Heart, Queesnryche, Pearl Jam, Soundgarden, Nirvana, Foo Fighters, Death Cab for Cutie, Willie Weeks and Mike Merrit.
Mike Lull Custom PJ4 Transparent Black Swamp Ash Body Maple Neck (with Graphite Reinforcements) Indian Rosewood Fretboard 34" Scale 1 1/2" Nut Width Bone Nut 12" Fretboard Radius Lindy Fralin 'P' Pickup (neck) and Hum Canceling Jazz Pickup (bridge) Aged White Pearloid Pickguard Chrome Hardware Hipshot Ultralite Tuners Aluminum Br
Mike Lull Custom T4 2-Tone Sunburst Black Reverse Headstock Mahogany Body Mahogany Neck (Graphite Reinforcements) Madagascar Rosewood Fretboard 1 1/2" Nut Width 34" Scale Length 12" Fretboard Radius Custom Mike Lull T-Bass Pickups Controls: Volume, Volume, Tone White Pickguard Chrome Hardware Hipshot Ultralite Tuners Aluminum Br
Mike Lull Custom M4V Natural Swamp Ash Body Maple Neck (Graphite Reinforcements) Birdseye Maple Fretboard 1 1/2" Nut Width 34" Scale Length Aguilar Hum-Canceling 4J-HC Pickups Aguilar OBP-1 Preamp (2-band boost-only EQ) Controls: Volume, Blend, Tone, Stacked Bass/Treble Boost 3-Ply Black Pickguard Chrome Hardware Hipshot Ultralite
Mike Lull M5V 5-String Bass, Transparent Green, Birdseye Maple Board, 5A Flame Maple Top, Duncan and Bartolini Electronics, Only 8.3 lbs!Mike Lull Custom M5V 5-String Bass Transparent Green w/Natural Back AAAAA Flame Maple Top Swamp Ash Body (smaller M4V body helps with weight reduction) Maple Neck (w/graphite reinforcements) Birdseye Maple Fretboard (heavily figured) 1 7/8" Nut Width 34" Scale Length Seymour Duncan SJB-5's Bartolini NTMB Preamp Controls: Volume, Ble
Mike Lull TC5 5-String Bass, Candy Apple Orange, Birdseye Maple Board, Aguilar Electronics, Less Than 9lbsMike Lull Custom TC5 Candy Apple Orange Swamp Ash Body Maple Neck (with Graphite Reinforcements) Birdseye Maple Fretboard 35" Scale (for tighter B and E-string response) 1 7/8" Nut Width 12" Fretboard Radius Aguilar DCB 5-String Pickups (free upgrade!) Aguilar OBP-3 3-Band Preamp (push/pull Volume knob for passive operation) Mid-Ran
Mike Lull Custom PJ5 Olympic White Swamp Ash Body Maple Neck (with Graphite Reinforcements) Indian Rosewood Fretboard 35" Scale (for tighter B and E-string response) 1 7/8" Nut Width Bone Nut 12" Fretboard Radius Seymour Duncan Custom Wound "Vintage" P5 and Custom Wound Hum-Cancelling J5 Pickups Tortoiseshell Pickguard Chrome Hardw